Máté L. Mérey

he/him

Budapest, Hungary

Máté Mérey is a designer and jewelry artist currently pursuing a master’s degree in Moholy-Nagy University of Arts and Design (Budapest). Known for his material experimentations, especially for integrating electroforming in his works. As a gay artist in Hungary, Máté faced hesitation and uncertainty about expressing his true identity in a society marked by political censorship and social pressures. However, this journey of self-acceptence has deeply influenced his creative path, leading them to explore themes of identity, prejudices and social insecurity through his starting works.

​​I consider it my professional goal to strengthen human connections through my work. Whether these are towards other individuals, nurturing small thoughts and memories, or towards connecting with their entire environment.

@merey_metaldesign

How does your work relate to the theme connection?

Máté’s work, a brooch addressing censorship in Hungary, directly relates to the theme of ‘connection’ by highlighting the struggle of LGBTQ+ voices being isolated and controlled. The brooch features a rainbow-colored book motif wrapped in plastic foil, symbolizing the forced separation of queer content from public access. Through this piece, Máté aims to convey how censorship disrupts the connection between marginalized communities and society, while also reflecting on the resilience of expression that persists even in the face of oppression. The work emphasizes the importance of breaking barriers to create authentic, unfiltered connections."

What role does connection play in your creative process?

"In my creative process, connection plays a crucial role on multiple levels. Literally, it involves the physical interaction between materials—combining metal, color, and form to create a cohesive piece. Philosophically, connection is about bridging personal expression with broader societal issues, such as censorship."

What connection(s) does your queerness make to the world around you?

My queerness connects me to the world through a lens of empathy, resistance, and visibility. It allows me to see the struggles and resilience of marginalized communities, driving me to create art that challenges systems of oppression like censorship. Being queer shapes how I engage with themes of identity, freedom, and authenticity, pushing me to amplify voices that are often silenced. It deepens my connection to others who face similar struggles, fostering solidarity and a commitment to creating spaces where diversity and expression are celebrated, not suppressed."

“Rainbow book - brooch: Protect our children from the cenzorship!”, aluminum (powder coated), plastic wrap, brass, steel, based on the paper size standard's 'A8' 2” x 2.9” x 2.5”, 2024

Anything else you would like to share about this work? This can be an important part of the process, sourcing materials, or research.

I created this piece after the 2024 Budapest Pride, which served as a pivotal moment in my creative journey. The event reinforced my commitment to using my art as a form of self-expression, specifically focusing on issues of censorship and LGBTQ+ rights. This work marks the beginning of a new direction for me, where I combine personal identity with socio-political commentary. Sourcing materials like the aluminum plates and plastic foil was intentional, symbolizing both the vibrancy and suffocation experienced by marginalized communities. This piece is not just a brooch, but a statement on the necessity of visibility and resistance.
The brooch highlights censorship affecting LGBTQ+ artists and their works, increasingly prevalent in Hungary. A striking example is the firing of Palace of Art’s Directors because he did not give to the pressure of politicians who said to not allow underaged people to an photo exhibition where queer topics was also on the walls. Another example what was the inspiration for Máté’s work is that a new law requiring wrapping and segregating books of such topics in stores. The rainbow-colored book blooms inside suffocating plastic wrap, resisting oppression and control. The artist says the aluminum plates' vibrance is visible even through layers of wrap, showing that complete silencing is impossible but makes an artist's life harder, often forcing them to move abroad or self-censoring their own work."