Lyss Day Witvoet
they/them
Brooklyn, NY, USA
Lyss Day Witvoet is a disabled queer jeweler, writer, and maker living in Brooklyn, New York. Their practice focuses on movement as a form of connection to the body, land, and people as they work to explore the space between the tangible and ethereal. They are currently conceptualizing a series of assistive adornments: pieces that work with and for the disabled body as an extension of self, made through disabled community and collaboration.
“For me, artwork is a part of the liminal thread of aliveness that runs through the earth. Everything is entangled in it; both living and artmaking are forms of weaving within this thread. It is a constant textural movement of energy. These pieces, which originated from a specific ripple in the current of the Niagara River, aim to capture that energy through fluid forms and textures made to catch the light in rippled waves, similar to the surface of rushing water.”
How does your work relate to the theme connection?
“These pieces were made to capture multiple forms of interconnectedness with and within the earth. The silver arm cuff and earrings were made by tracing lines I sketched from a specific current in the Niagara River, which struck me so clearly while I was hiking that I immediately stopped everything to sit and be with rushing water. I've always felt a deep and intrinsic connection to the natural world, and the moment that the river caught the sun and reflected it back at me was so emotionally intense that it fueled my artmaking for months. That one ripple, the connection I felt to the river when I glanced it through the trees, was the source for maybe a dozen poems and jewelry pieces. I experimented with texture and shape, trying to mimic the water as a form of communication with it. I wanted to incorporate its language into mine. I was practicing connection, over and over again.
In doing so, I found that my writing, metalwork, and other art forms began to merge more and were often iterations of each other; art is all interconnected, and the separation between jewelry and writing is a shallow distinction.
Finally, this arm cuff is a newer iteration of a bracelet originally commissioned by one of my partners for another partner of theirs, who I have a close relationship with. Every aspect of how I designed the bracelet was based around their unique energy and relationship to the water, which is a deep spiritual force in their life. I wanted the bracelet to feel embodied by them, and vice versa. It's been two years since I made that first bracelet, and they wear it nearly every day, constantly connecting us to each other and the community that brought the piece into the world."
“Coursing Current”, sterling silver, 33.5” x 35.4”, 2024
What role does connection play in your creative process?
“Connection is my creative process. For me, all creativity comes from the invisible force that connects every living thing to each other, and to their world. My process typically begins with a connection so striking I have to capture it, as was the case with the Niagara River. Similarly, my current project is working on assistive adornments, which are pieces made to extend or enhance the disabled body, which is only possible in collaboration with other disabled people in my community. This entire project came to be as a result of one moment of connection--I was gifted a string of beads to wrap around my cane by another maker at a queer art fair, and it was the first time I felt community in disability. That connection changed how I approach everything that I make, and disability is now the focus of my experiments with jewelry and embodiment. I also feel that the creative process only succeeds if it functions as an intentional mode of connection with the materials themself, and the piece you're making."
“Ripple”, brass, sterling silver, 4.7” x 22.8”, 2023
What connection(s) does your queerness make to the world around you?
“The way I connect to the world and see the world defines my queerness, and has since I was a young child. I've always navigated the world through sensing the webs of connections around me, and following the flow of energy to find where and how I fit. When I was a kid, that meant a lot of communing with trees. It still does. I've never understood the expectation that connection is limited--to certain places, specific purposes, or the boundaries of one type of relationship. To only people, rather than every other force and being on earth, whose language often feels equally natural to me. I move through the world guided by connections seen and unseen, always, and expressing my queerness is one way to both seek and express those connections."
“Current Catcher”, sterling silver, 5.9” x 25.6”, 2023
Anything else you would like to share about this work? This can be an important part of the process, sourcing materials, or research.
“All photography is done by Lijah Schnei! lijahsflix.me"