Isabella Dobbs
she/he/they
Appalachian Region of North Carolina, USA
Isabella Dobbs is an artist and student located in the Appalachian region of North Carolina and is originally from the Raleigh area. They will graduate in December of 2024 with their BFA in Studio Art with an emphasis in metalwork and a Minor in Dance Studies. Isabella has had opportunities to study at renowned craft schools through scholarship and work study at Arrowmont School of Arts and Crafts, Penland School of Crafts, and Pocosin School of Fine Craft. Isabella plans to find work in art museum preparatory work post graduation as they've been involved in museum work at the Turchin Center for the Visual Arts in Boone NC, and as an intern at The Blowing Rock Art and History Museum in Blowing Rock NC.
“As a maker, I enjoy exploring traditional craft processes and using them to express my experiences as a queer individual. There is something deeply rewarding about being able to take a natural element such as metal, and create jewelry adornment that I can feel empowered and affirmed when wearing it. My recent work has been exploring my experiences as a dancer, and the liberating and restricting aspects that have played on my identity and body image; I’ve also been experimenting with adjustable wearables that contain illustrative elements.
How does your work relate to the theme connection?
“Balancing Act is a waist piece that touches on my experience as a gender queer individual, trapped inside a body that has caused me physical pain. Because of my gender queerness, I find myself struggling to relate to issues that are seen strictly as ‘women's issues’ even though harmful anti-contraceptive legislation affects myself and other queer and trans individuals. This piece was created to show my frustrations with feeling controlled simply because I live in a body with female reproductive organs, and my internal struggle with deciding to get on hormonal contraceptives as a way to relieve myself from the physical pain that organ was causing me. As a gender fluid person, living in a female body has both affirming and dysphoric qualities, and experiencing severe pain from menstruation made me feel powerless and undervalued in my own identity. Recently I decided to get a hormonal IUD (intrauterine device) as a way to regulate my menstruation. I was very nervous to get on hormonal contraceptives, mostly because of the stigma and lack of research involved in reproductive healthcare for people who menstruate. Now that I am on hormonal birth control, I’ve found it's not only helped me with the pain of menstruation, but it was also a form of gender affirming care for me. Falling under the trans spectrum comes with difficulties that go beyond internal identities, many of us need physical changes and the right to get the proper medication to live happily and safely. For me, there was nothing more exhausting than living in a state where I was physically reminded of the kind of body I lived in. Having the choice to get the care was the missing link to connect to my true self, and it's something queer people and ally’s need to keep pushing for as a human right."
What role does connection play in your creative process?
“The technique used to make Balancing Act was brass brazing, a heat connection that fuses individual links of metal together without flowing solder. When making this piece and the others in this series, I specifically focused on brazed connections and transforming undesirable metalsmithing materials such as steel and brass into beautiful pieces of jewelry adornment. The subject matter revolved around my experiences when I felt uncomfortable in my body, and making this work helped me draw connections to the hormonal care I needed."
What connection(s) does your queerness make to the world around you?
“Being queer for me is a constant battle of convincing myself that I am valid in my feelings in both my sexuality and as a gender queerness. I tried for so long to block out my queerness and gaslight myself into seeing myself as just a straight woman for the sake of keeping up with societal expectations. When I finally began to accept my queerness, I recognized the beauty that is the ability to connect and find love and friendship with anyone regardless of their gender identity; something worthy of celebration. The more I become myself, the more connected I become to others who have fought to feel valid. I still struggle with owning my queerness, especially with the state of legislative propaganda about queer people that has been at the forefront. I look forward to the day where queerness is seen as natural, and not something to disconnect from."
"Balancing Act", Steel, brass brazing rod, copper, enamel, and P3 underglaze, 24" x 10" (width can be adjusted when displayed on the wall), 2024
Anything else you would like to share about this work? This can be an important part of the process, sourcing materials, or research.
“This piece is one of a series of 3. All three pieces together represent the physical pain of living in a body with female reproductive organs, and the dysphoric experiences of being gender fluid."