Tyler Young
he/they
Portland, OR, USA
Tyler Young is a Portland based artist that received his BA in ceramics and jewelry and a minor in philosophy from San Diego State University in 2021. Young’s interest in philosophy has led them to explore themes around identity and the various social systems that affect the manner in which they are able to be cognizant of their own identity. Specifically, Young is interested in the seemingly insignificant moments in his life that were mirrored from the dynamics of the societal system he exists in. Young’s practice takes an interdisciplinary approach by combining multiple mediums and art disciplines, fine art painting and sculpture with jewelry.
“I am interested in the objects and moments that hold personal significance to us. Specifically, I am attracted to the mundane and banal objects that we wear or keep that reflect our own identity and how our identity can be personified through these objects. Personally, the art I create is fundamental in understanding my identity. Gestural painting has always been a meditative process that allows me to transform the surfaces and forms of the materials I work on. Overall, the art I create studies abstract notions of identity by transforming craft objects with gestural painting and sculpture techniques that I identify with.”
How does your work relate to the theme transformation— How does the work translate joy into strength?
“‘Remembering it's okay to cry’ is reflective of the transformation of my perception of myself, post college. Growing up in a patriarchal Asian American family, values of being stoic and reserved were heavily implanted in my upbringing. However, the last few years of my life, I have slowly learned to be more vulnerable with myself and with a handful of people around me. The small enamel pendant in middle slowly breaks overtime as it rattles within the confines of the box it lives in. I learned over the years that I do not need to be perfect and unmoved. Rather, I can be proud to be the imperfect and proudly queer version of myself.
‘I'm sorry’, considers my own guilt with current events. At times, I feel as though I am culpable for the deplorable state of the world due to the mere act of existing without actively making change in the world. The phrase ‘I'm sorry’ is meticulously sawn out of metal and stamped onto the surface of the painting as a therapeutic process to deal with my own tendency to be overly apologetic for anything that happens around me. Rather than repeatedly repeating an apologetic phrase, slowly sawing and filing the letters considers the genuinity of a particular phrase I use if I only use it as a means to alleviate guilt from myself in that instance. Overall, ‘I’m sorry’ considers the shift in my attitude from one that places guilt and shame on myself to one that allows me to feel empowered for change."
"Remembering it's okay to cry", Wood, copper, rope, acrylic sheet, acrylic paint, 15"x 7" x 1", 2024
Anything else you would like to share about this work? This can be an important part of the process, sourcing materials, or research.
“Remembering it's okay to cry contains an enameled piece of copper stressed by receiving force from a hammer. As it exists and is worn, the enamel will slowly break from the copper. This transformation mirrors own journey of learning to be vulnerable and accepting of any aspect of myself that isn't perfect.”
"I'm Sorry", Wood, brass, copper, tape, acrylic paints on stretch canvas, 10" x 10" x 1", 2023