Nanette Pengelley

she/her

Durham, NC, USA

Nanette Pengelley is a queer, Jamaican-American capricorn and metalsmith from south Florida. She went on to study in Quito, Boston, and Florence. After graduating from Massachusetts College of Art and Design in 2015 with her BFA in Jewelry and Metalsmithing, Nanette has been exploring her practice within her brand, Hew Jewelry. She currently lives in Durham, North Carolina, and spends summers teaching jewelry and fibers in New England.

“My work centers on the use of found objects. When I integrate semi-precious materials, I introduce these unique discoveries into a transitive context. As a result, my process is a derivative of my environment. Through experimentation, I endeavor to locate myself in my surroundings, as an artist—as a person.

To put it simply, my work is shaped by materials that I am attracted to, and oftentimes I find myself captivated by an object because of my encounter with it.

In this way, my experiences are carried forward with me, through the act of making."

hewjewelry.com

@hewjewelry

How does your work relate to the theme transformation— How does the work translate joy into strength?

"My personal transformation began by being born into a deeply religious— specifically Catholic, more specifically, homophobic family. Catholic doctrine teaches that we are all descended from Adam and (st?)Eve, and the first original sin, represented by a simple apple. The devil, having taken the form of a snake, whispers to Eve, tempting her to take the fruit and eat it— the apple from the tree of knowledge. Of course, God has forbidden this. Eve does it anyway. Not only does she eat the fruit, she then tempts Adam into partaking as well… therefore women are responsible for tempting men into sin.

THIS is what I was told as a child, THIS is what we were ALL told. This patriarchal, victim blaming nonsense is what has lead to things like rape culture—- to the state of the world that we are currently being forced to endure. Essentially the basis for this religion and the moral of the story is that men may sin, but when they do, it is only because women tempt them into it.

Therefore women are sinful. Their bodies, their minds, their mere existence— it’s all inherently wrong somehow.

When I got to art school I began unpacking this, one piece of ridiculous trash at a time. Slowly at first, and then quickly dumping out the whole thing. You’d be surprised how easy it was, after a lifetime of essentially being brainwashed. It was becoming queer. It was learning to trust my body, to shake off the inherent shame that the Catholic Church instilled in me. It was learning that there is absolutely nothing wrong with me. I found myself part of a tight knit queer community, exploring gender and race theory for the first time… It was as simple as taking one delicious bite after being told not to for my whole life—- and then devouring the whole apple. I gained access to the forbidden truth, the truth that they never wanted us to know.

I guess knowledge is power after all.

No wonder they never wanted us to have it."

“Inside Out/Outside In”, Embroidery thread on cotton, sterling silver, 1.5” x 1”, 2024

We were honored to also include Nanette’s piece from [queerphoria] volume 2 in the in-person exhibition.