Mia Kaplan

she/her

Philadelphia, PA, USA

Mia Kaplan makes jewelry, sculpture, utensils, and other objects. Born in China and raised in North Carolina, she currently calls Philadelphia home. She earned a BA in Studio Art at Earlham College in 2018. She recently completed the Core Fellowship at the Penland School of Craft. Mia currently works as the Production Specialist at Emily Chelsea Jewelry and holds personal studio space in Night Shift Studio located in the Bok Building. Her work exists in the realm of both functional and nonfunctional. The pieces she creates include miniatures, replicated objects, and sculptural jewelry.

“I make sculpture, containers, utensils, and jewelry. The sculptures I make are a collage of mechanical objects, industrial architecture, and repeating symbolism. I often incorporate movable parts such as an arrow attached to a spring, a charm that dangles on a brooch, or a spinning pinwheel. If the piece is utilitarian, my aim is for it to be comfortable, easy to use, and satisfying. The materials I use are mostly brass, copper, and silver. My work addresses questions I want to ask of the world, emotions I try to process in my own life, and memories that are dear to me.”

miakaplanmakes.com

@miakaplanart

How does your work relate to the theme transformation— How does the work translate joy into strength?

“When I was younger, I was obsessed with archery and I wanted to be a fierce heroine archer like in all the fantasy books I loved. Within that world, I could imagine myself to be exactly as I wished I could be. Though I didn’t fully understand it at the time, I felt underestimated within the societally imposed roles of girls and boys. I was always trying to prove that I was capable and strong. I was realizing what box people were putting me in, and I was not liking it. Queue up a coming of age that had its many challenges, but overall the transformational power of becoming more than an assigned gender was liberating. Discovering jewelry and metalsmithing in undergrad then provided a creative outlet where I could absorb myself in the physicality of craft. In my work, I use arrows a lot as a symbol of transition, transformation, direction, and movement. In this piece, the miniature arrow is mobile and interactive. It is fletched with bronze and tipped with a magnet. A hidden magnet is underneath the bullseye, allowing the arrow to attach to its surface. The movable parts allow this piece of jewelry to transform. It has a special interaction and playfulness with its wearer, and the safety chain allows the pieces to never get lost."

"Second Skin #10", Copper, tin, 12" x 12" x .25", 2024

Anything else you would like to share about this work? This can be an important part of the process, sourcing materials, or research.

“The face of the brooch is set like you would a set stone - with a bezel.”